Tracing the roots of the modern American University in German philosophy and in the work of British thinkers such as Newman and Arnold, Bill Readings argues that historically the integrity of the modern university has been linked to the nation-state, which it has served by promoting and protecting the idea of a national culture. However, now the nation-state is in decline, and ...(展开全部)

凯文•鲍尔斯 Kevin Powers 美国小说家、诗人，1980年生于弗吉尼亚州里士满，出身于蓝领家庭，父亲是工厂工人。17岁应召入伍，2004年2月至2005年3月在伊拉克摩苏尔和塔拉法尔服役。退伍后，就读于弗吉尼亚州立大学，获得本科学位后；在得克萨斯大学奥斯丁分校获得文科硕士，后来在该校米切纳中心担任诗歌研究员。2012年，出版第一部作品《黄鸟》（The Yellow Birds），获得了海明威奖、《卫报》首作奖，以及美国国家图书奖的最终入围书目。

凯文•鲍尔斯 Kevin Powers 美国小说家、诗人，1980年生于弗吉尼亚州里士满，出身于蓝领家庭，父亲是工厂工人。17岁应召入伍，2004年2月至2005年3月在伊拉克摩苏尔和塔拉法尔服役。退伍后，就读于弗吉尼亚州立大学，获得本科学位后；在得克萨斯大学奥斯丁分校获得文科硕士，后来在该校米切纳中心担任诗歌研究员。2012年，出版第一部作品《黄鸟》（The Yellow Birds），获得了海明威奖、《卫报》首作奖，以及美国国家图书奖的最终入围书目。

When Adam Kussgarten's twin brother is found gunned down just yards from his flat, Adam is drawn out of his solitary, dream-like life into a neon-lit world of forgery, deceit and violence. The Ruins is the story of twin brothers - Adam and Brandon - who haven't spoken for decades, When Brandon is found gunned down just streets from Adam's flat, Brandon's girlfriend enlists Adam...(展开全部)

Across the West, hard-right leaders are surging to power on platforms of ethno-economic nationalism, Christianity, and traditional family values. Is this phenomenon the end of neoliberalism or its monstrous offspring? In the Ruins of Neoliberalism casts the hard-right turn as animated by socioeconomically aggrieved white working- and middle-class populations but contoured by ne...(展开全部)

Across the West, hard-right leaders are surging to power on platforms of ethno-economic nationalism, Christianity, and traditional family values. Is this phenomenon the end of neoliberalism or its monstrous offspring? In the Ruins of Neoliberalism casts the hard-right turn as animated by socioeconomically aggrieved white working- and middle-class populations but contoured by ne...(展开全部)

Across the West, hard-right leaders are surging to power on platforms of ethno-economic nationalism, Christianity, and traditional family values. Is this phenomenon the end of neoliberalism or its monstrous offspring? In the Ruins of Neoliberalism casts the hard-right turn as animated by socioeconomically aggrieved white working- and middle-class populations but contoured by ne...(展开全部)

It takes the form of personal and formal investigations into two political assassinations - the murders of Rafael Uribe Uribe in 1914, the man who inspired García Márquez's General Buendia in One Hundred Years of Solitude, and of the charismatic Jorge Eliécer Gaitán, the man who might have been Colombia's J.F.K., gunned down on the brink of success in the presidential elections...(展开全部)

The Shape of the Ruins is a masterly story of conspiracy, political obsession, and literary investigation. When a man is arrested at a museum for attempting to steal the bullet-ridden suit of a murdered Colombian politician, few notice. But soon this thwarted theft takes on greater meaning as it becomes a thread in a widening web of popular fixations with conspiracy theories, a...(展开全部)

On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Crimp elaborates the new paradigm of postmodernism through analyses of art practices broadly conceived...(展开全部)